Focuses on the motivation that design innovation creates for the present social progress and how the pioneering design provides protection and leading trends to human lifestyle, also concentrating on the practice using of what kind of role that the Chinese traditional architecture culture heritage plays in contemporary society. Meanwhile, he assumes that Chinese architects shall practice design primarily on the cognition of knowing their territory and culture, and design is aesthetic science turning to research human and nature. In decades of design journey from architecture to interior, he’s been struggling to explore the essence in nature throughout with his notable philosophy that the combination of Chinese style nature and its people is spiritual code existing anywhere. For the common viewpoint rooted in most of architects’ mind that design from external world excels ourselves certainly, however, he always highlights ‘no design without appropriate research.’