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I strive to construct an embodied theater of perception, using furniture to deconstruct the symbiotic "body-world" relationship. Merleau-Ponty proclaimed, "The body is our medium for being in the world." In this age of technological hegemony, I clumsily articulate the dissonance between individual perception and the so-called "objective reality," framing sensory articulation as humanity's defiant celebration. Those tabooed genital totems and fragmented religious relics are in fact primordial grammars predating rational disenchantment; these cognitive deviations, still warm with bodily heat, constitute flesh's stammering love letter to existence.
